Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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The Beaune Altarpiece, c. 1443–1451. 220cm x 548cm (excluding frames). Oil on oak, Hospices de Beaune, interior view

The Beaune Altarpiece (or The Last Judgement) is a large polyptych c. 1443–1451 altarpiece by the Early Netherlandish artist Rogier van der Weyden, painted in oil on oak panels with parts later transferred to canvas. It consists of fifteen paintings on nine panels, of which six are painted on both sides. Unusually for the period, it retains some of its original frames.

Six of the outer panels (or shutters) have hinges for folding; when closed the exterior view of saints and donors is visible. The inner panels contain scenes from the Last Judgement arranged across two registers. The large central panel spans both registers and shows Christ seated on a rainbow in judgement, while below him, the Archangel Michael holds scales to weigh souls. The lower register panels form a continuous landscape, with the panel on the far proper right showing the gates of Heaven, while the entrance to Hell is on the far proper left. Between these, the dead rise from their graves, and are depicted moving from the central panel to their final destinations after receiving judgement. (Full article...)
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Matryoshka dolls
Matryoshka dolls
Matryoshka dolls
Credit: Gnomz007
Matryoshka dolls, also known as Russian nested dolls or Babushka dolls, were seen as early as 1890. They are not a traditional Russian handicraft, although the concept of nested objects was familiar in Russia. The first set of dolls is said to have been made by a painter in the Abramtsevo estate inspired by a set of Japanese wooden dolls representing the Seven Gods of Fortune.

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Many are willing to suffer for their art. Few are willing to learn to draw.
Simon Munnery, Attention Scum!


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Self-portrait, oil painting, 1915

Kanae Yamamoto (山本 鼎, IPA: [ka.na.e], 24 October 1882 – 8 October 1946) was a Japanese artist, known primarily for his prints and yōga Western-style paintings. He is credited with originating the sōsaku-hanga ("creative prints") movement, which aimed at self-expressive printmaking, in contrast to the commercial studio systems of ukiyo-e and shin-hanga. He initiated movements in folk arts and children's art education that continue to be influential in Japan.

Kanae trained as a wood engraver in the Western style before studying Western-style painting. While at art school he executed a two-colour print of a fisherman he had sketched on a trip to Chiba. Its publication ignited an interest in the expressive potential of prints that developed into the sōsaku-hanga movement. Kanae spent 1912 to 1916 in Europe and brought ideas back to Japan gleaned from exhibitions of peasant crafts and children's art in Russia. In the late 1910s he founded movements that promoted creative peasant crafts and children's art education; the latter quickly gained adherents but was suppressed under Japan's growing militarism. These ideas experienced a revival after World War II. (Full article...)
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