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Portal:Pan-Africanism

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Introduction

Welcome to the Pan-Africanism portal!
Bienvenue sur le portail panafricanisme!
The Pan-African flag, designed by the UNIA and formally adopted on August 13, 1920.
Marcus Garvey (17 August 1887 – 10 June 1940) : A prominent Pan-Africanist. In this 1922 picture, Garvey is shown in a military uniform as the "Provisional President of Africa" during a parade on the opening day of the annual Convention of the Negro Peoples of the World at Lenox Avenue in Harlem, New York City.

Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous peoples and diasporas of African ancestry. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Americas and Europe.

Pan-Africanism can be said to have its origins in the struggles of the African people against enslavement and colonization and this struggle may be traced back to the first resistance on slave ships—rebellions and suicides—through the constant plantation and colonial uprisings and the "Back to Africa" movements of the 19th century. Based on the belief that unity is vital to economic, social, and political progress, it aims to "unify and uplift" people of African ancestry. (Full article...)

Selected article

Négritude is a framework of critique and literary theory, developed mainly by francophone intellectuals, writers, and politicians of the African diaspora during the 1930s. Its initiators included Martinican poet Aimé Césaire, Léopold Sédar Senghor (the first President of Senegal), and Léon Damas of French Guiana. Négritude intellectuals disavowed colonialism, and argued for the importance of a Pan-African racial identity among people of African descent worldwide. The intellectuals employed Marxist political philosophy, in the black radical tradition. The writers generally used a realist literary style, and some say they were also influenced somewhat by the Surrealist stylistics. In 1932, the manifesto "Murderous Humanitarianism" was signed by prominent Surrealists, including the Martinicans Pierre Yoyotte and J. M. Monnerot.

Selected biography

Aimé Fernand David Césaire
An image of Aimé Césaire in 2003 on a desk reading the cover of a book.
Aimé Césaire in 2003
Born
Aimé Fernand David Césaire

(1913-06-26)26 June 1913
Died17 April 2008(2008-04-17) (aged 94)
Alma materÉcole Normale Supérieure, University of Paris
Known forPoet, politician
Political partyParti Progressiste Martiniquais
SpouseSuzanne Roussi

Aimé Fernand David Césaire (/sˈzɜːr/; French: [sezɛʁ]; 26 June 1913 – 17 April 2008) was a Francophone and French poet, author and politician from Martinique. He was "one of the founders of the négritude movement in Francophone literature". His works included Une Tempête, a response to Shakespeare's play The Tempest, and Discours sur le colonialisme (Discourse on Colonialism), an essay describing the strife between the colonizers and the colonized. His works have been translated into many languages.

Selected history

Arab slave traders and their captives along the Ruvuma River in Mozambique.

The Arab slave trade was the intersection of slavery and trade in the Arab world, mainly in Western Asia, North Africa, East Africa and Europe. This barter occurred chiefly between the medieval era and the early 20th century. The trade was conducted through slave markets in these areas, with the slaves captured mostly from Africa's interior and Southern Europe.

Selected culture

African-American culture, also known as Black American culture, refers to the contributions of African Americans to the culture of the United States, either as part of or distinct from mainstream American culture. The distinct identity of African-American culture is rooted in the historical experience of the African-American people, including the Middle Passage. The culture is both distinct and enormously influential on American and global worldwide culture as a whole.

African-American culture is primarily rooted in West and Central Africa. Understanding its identity within the culture of the United States it is, in the anthropological sense, conscious of its origins as largely a blend of West and Central African cultures. Although slavery greatly restricted the ability of African Americans to practice their original cultural traditions, many practices, values and beliefs survived, and over time have modified and/or blended with European cultures and other cultures such as that of Native Americans. African-American identity was established during the slavery period, producing a dynamic culture that has had and continues to have a profound impact on American culture as a whole, as well as that of the broader world.

Elaborate rituals and ceremonies were a significant part of African Americans' ancestral culture. Many West African societies traditionally believed that spirits dwelled in their surrounding nature. From this disposition, they treated their environment with mindful care. They also generally believed that a spiritual life source existed after death, and that ancestors in this spiritual realm could then mediate between the supreme creator and the living. Honor and prayer was displayed to these "ancient ones", the spirit of those past. West Africans also believed in spiritual possession.

Selected images

Organisations

All-African People's Revolutionary Party  · African Society for Cultural Relations with Independent Africa  · African Unification Front  · African Union  · African Queens and Women Cultural Leaders Network  · Conseil de l'Entente  · Convention People's Party  · East African Community  · Economic Freedom Fighters  · Global Afrikan Congress  · International African Service Bureau  · International League for Darker People  · Organisation of African Unity  · Pan African Association  · Pan-African Congress  · Pan Africanist Congress of Azania  · Rassemblement Démocratique Africain  · Pan Africa Chemistry Network  · Pan African Federation of Accountants  · Pan-African Freedom Movement for East and Central Africa  · Sahara and Sahel Observatory  · UNIA-ACL  · ZANU–PF

See also



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Festivals

Grand Durbar in Kaduna State in the occasion of Black and African Festival of Arts and Culture, 15 January - 12 February 1977.

Photo by Helinä Rautavaara (1977)

Publications

  • Awakening the Natural Genius of Black Children (1992) by Dr. Amos N. Wilson
  • Blueprint for Black Power: A Moral, Political and Economic Imperative for the Twenty-First Century (1998) by Dr. Amos N. Wilson
  • Afrikan-Centered Consciousness Versus the New World Order: Garveyism in the Age of Globalism (1999) by Dr. Amos N. Wilson
  • The Cress Theory of Color-Confrontation and Racism (White Supremacy) (1970) by Dr. Frances Cress Welsing
  • The Isis Papers: The Keys to the Colors (1991) by Dr. Frances Cress Welsing
  • The root cause of the bread and butter demonstration (1959) by Alieu Ebrima Cham Joof

Films and TV

Audios and videos

Did you know

...that on arriving in Cuba in 1920, the SS Yarmouth (crew pictured), flagship of Marcus Garvey's Black Star Line, was hailed as the "Ark of the Covenant of the colored people"?

Selected quotes

In addressing imperialism at a Salisbury (Southern Rhodesia) meeting held on 9 April 1962, the former President of Zimbabwe Robert Mugabe delivered the following speech:



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