Portal:Speculative fiction

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Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts.

It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.

Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.

In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre.

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Selected profile

Isaac Asimov (/ˈæzɪmɒv/ AZ-ih-mov; c. January 2, 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as popular science and other non-fiction.

Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot series, creating a unified "future history" for his works. He also wrote more than 380 short stories, including the social science fiction novelette "Nightfall", which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. (Full article...)

Selected work

Theatrical release poster

The Cat and the Canary is a 1927 American silent comedy horror film directed by the German Expressionist filmmaker Paul Leni. An adaptation of John Willard's 1922 black-comedy play of the same name, the film stars Laura La Plante as Annabelle West, Forrest Stanley as Charlie Wilder, and Creighton Hale as Paul Jones. The plot revolves around the death of Cyrus West, who is Annabelle, Charlie, and Paul's uncle, and the reading of his will twenty years later. Annabelle inherits her uncle's fortune, but when she and her family spend the night in his haunted mansion, they are stalked by a mysterious figure. Meanwhile, a lunatic mainly known as the Cat escapes from an asylum and hides in the mansion.

The film is part of the genre of comedy horror films inspired by 1920s Broadway stage plays. Leni's adaptation of Willard's play blended expressionism with humor, a style for which Leni was notable and recognized by critics as unique. His directing style made The Cat and the Canary influential in the "old dark house" genre of films popular from the 1930s through the 1950s. The film was one of Universal's early horror productions and is considered "the cornerstone of Universal's school of horror". The play has been filmed five other times, most notably in 1939, starring Bob Hope and Paulette Goddard. (Full article...)

Selected quote


T. O'Conor Sloane (1851–1940), "Discussions" Amazing Stories (January 1927). This quote is notable for being the first "modern use" of the term science fiction.[1]
  1. ^ Westfahl, Gary. Science Fiction Quotations. Yale University Press. 2005.
More quotes from Wikiquote: science fiction, fantasy, alternate history

Selected picture

Fifth of Henry Holiday's original illustrations to "The Hunting of the Snark" by Lewis Carroll.
Fifth of Henry Holiday's original illustrations to "The Hunting of the Snark" by Lewis Carroll.
Credit: Illustrator: Henry Holiday; Retouched by Adam Cuerden

The fifth of Henry Holiday's original illustrations for "The Hunting of the Snark", a nonsense poem written by Lewis Carroll in 1874. (CPOTD)

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Nancy Cartwright

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Selected article

The May 1941 issue of Cosmic Science-Fiction; cover art by Hannes Bok

Cosmic Stories (also known as Cosmic Science-Fiction) and Stirring Science Stories were two American pulp science fiction magazines that published a total of seven issues in 1941 and 1942. Both Cosmic and Stirring were edited by Donald A. Wollheim and launched by the same publisher, appearing in alternate months. Wollheim had no budget at all for fiction, so he solicited stories from his friends among the Futurians, a group of young science fiction fans including James Blish and C. M. Kornbluth. Isaac Asimov contributed a story, but later insisted on payment after hearing that F. Orlin Tremaine, the editor of the competing science fiction magazine Comet, was irate at the idea of a magazine that might "siphon readership from magazines that paid", and thought that authors who contributed should be blacklisted. Kornbluth was the most prolific contributor, under several pseudonyms; one of his stories, "Thirteen O'Clock", published under the pseudonym "Cecil Corwin", was very successful, and helped to make his reputation in the field. The magazines ceased publication in late 1941, but Wollheim was able to find a publisher for one further issue of Stirring Science Stories in March 1942 before war restrictions forced it to close again.

Other well-known writers who appeared in the two magazines included Damon Knight and David H. Keller. Knight's first published story, "Resilience", appeared in the February 1941 issue of Stirring Stories, but the story was ruined by a misprint in a crucial word in the first sentence. Keller was an established writer in the field, but Wollheim was aware that Keller occasionally donated material to fanzines, and was able to obtain a story from him. The quality of the artwork was variable; it included Elliot Dold's last artwork in the science fiction field, for the cover of the July 1941 issue of Cosmic Stories, and several covers and interior drawings by Hannes Bok, who later became a well-known artist in the field. (Full article...)

On this day...

May 18:

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Possible futures

Possible events in the future as suggested by science fiction:

  • The Star Kingdom of Manticore is established on August 1, 3573.
  • The Committee of Public Safety seizes power in Nouveau Paris and takes control of the government in 4007.
  • Around the year 18,000,000, a "half-plastic denizen" of the interior of a planet beyond Pluto exchanges his mind with the Great Race of Yith.

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